by Marsha Ward
I don't listen to many podcasts, because, well, you know, time. But recently I listened to one from author Joanna Penn's series at https://www.thecreativepenn.com/podcasts/
The title is "Your Magic Bakery Of Intellectual Property Rights With Dean Wesley Smith" and it's found at
https://www.thecreativepenn.com/2017/07/31/intellectual-property-rights-dean-wesley-smith/
If you know me at all, you know I count Dean Wesley Smith as a mentor, which is really why I listened to the program in the first place. I love Dean's view on many things, including keeping your intellectual property rights intact. I'm a control freak like he is, I guess.
The podcast lasts
just over an hour, which includes an introductory discussion from
Joanna, but if you can't bear to listen all that time, the site includes a transcript. DO read it. Go take a look here.
Marsha Ward is the Founder of American Night Writers Association. She is a writer and novelist who grew up with a love of American values that are reflected in her body of work. Her historical novels in "The Owen Family Saga" are Gone for a Soldier, The Man from Shenandoah, Spinster's Folly, Ride to Raton, and Trail of Storms, all available in print from her website, at WestWardBooks.com, from online booksellers such as BarnesandNoble.com and Amazon.com; and in ebook formats at Smashwords.com as well as the booksellers above. Her latest work is That Tender Light, the origin story novella for the Owen Family series.
Wherein Marsha Ward (the founder of American Night Writers Association) and a few of her friends blogged about Life, the Universe, and their place in the World of Writing and Publishing. This blog is now dormant.
Showing posts with label Contracts. Show all posts
Showing posts with label Contracts. Show all posts
Aug 1, 2017
Jun 7, 2016
Author Earnings Report, Sneaky Money Grabs
by Marsha Ward @MarshaWard
Writers have so much to watch out for: Money. It is coming in from sales of our products? Contracts: Are we aware of how things can go wrong in the world of publishing?
Of course there are tons of other things to concern us, but since I have two blog posts from others that I want to spotlight, I'll go no farther on worries and concerns. Maybe later.
Some two years ago, an author named Hugh Howey and a number cruncher known only as "The Data Guy," teamed up "to gather and share information so that writers can make informed decisions. Our secondary mission is to call for change within the publishing community for better pay and fairer terms in all contracts." Their website is called Author Earnings, and shines quite a light on money matters for the entire publishing industry.
The team has steadily produced quarterly reports of data they've gathered ever since. The May 2016 Report has just been released.
While it's true that I sometimes drown in all the numbers and graphs, I've learned that if I take it slow, digesting the information bit by bit, I understand it much better. I recommend the reports for your enlightenment.
What about contracts?
Writers are given contracts to sign all the time. Agents and publishers in the traditional path to publication, but for indie authors, there are still quite a lot of contracts to sign: audiobook contracts, contracts with cover designers or image vendors, contracts with editors, and contracts for box sets, for a start. How prepared are we for terms and conditions, clauses, and sneaky efforts to keep money away from us writers?
For several weeks, I've been following a series of blogs that Kristine Kathryn Rusch has been writing each Thursday about contracts, and why writers need to think about them and avoid certain pitfalls that should always be deal-breakers. She's doing a stellar service for all writers, including new writers, who so often don't think much about the contents and clauses in a contract before they happily sign on the dotted line.
Here's a link to the entire series from the get-go. Scroll down to begin at the beginning. Put on protective clothing, as you may find yourself scared enough to ________ (you fill in the blank).
If you like Kris's advice, consider dropping some coins into the hat on your way out.
Thanks for reading!
Marsha Ward is the author of the acclaimed historical series "The Owen Family Saga" and other novels set in the 19th Century. See her website at marshaward.com
Writers have so much to watch out for: Money. It is coming in from sales of our products? Contracts: Are we aware of how things can go wrong in the world of publishing?
Of course there are tons of other things to concern us, but since I have two blog posts from others that I want to spotlight, I'll go no farther on worries and concerns. Maybe later.
Some two years ago, an author named Hugh Howey and a number cruncher known only as "The Data Guy," teamed up "to gather and share information so that writers can make informed decisions. Our secondary mission is to call for change within the publishing community for better pay and fairer terms in all contracts." Their website is called Author Earnings, and shines quite a light on money matters for the entire publishing industry.
The team has steadily produced quarterly reports of data they've gathered ever since. The May 2016 Report has just been released.
While it's true that I sometimes drown in all the numbers and graphs, I've learned that if I take it slow, digesting the information bit by bit, I understand it much better. I recommend the reports for your enlightenment.
What about contracts?
Writers are given contracts to sign all the time. Agents and publishers in the traditional path to publication, but for indie authors, there are still quite a lot of contracts to sign: audiobook contracts, contracts with cover designers or image vendors, contracts with editors, and contracts for box sets, for a start. How prepared are we for terms and conditions, clauses, and sneaky efforts to keep money away from us writers?
For several weeks, I've been following a series of blogs that Kristine Kathryn Rusch has been writing each Thursday about contracts, and why writers need to think about them and avoid certain pitfalls that should always be deal-breakers. She's doing a stellar service for all writers, including new writers, who so often don't think much about the contents and clauses in a contract before they happily sign on the dotted line.
Here's a link to the entire series from the get-go. Scroll down to begin at the beginning. Put on protective clothing, as you may find yourself scared enough to ________ (you fill in the blank).
If you like Kris's advice, consider dropping some coins into the hat on your way out.
Thanks for reading!
Marsha Ward is the author of the acclaimed historical series "The Owen Family Saga" and other novels set in the 19th Century. See her website at marshaward.com
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